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muththukkaLO kaNgaL --IV

 
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madhuraman
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Joined: 11 Jun 2007
Posts: 1226
Location: navimumbai

PostPosted: Fri Nov 16, 2012 7:14 am    Post subject: muththukkaLO kaNgaL --IV Reply with quote

Dear Friends ,
The structuring of the song has just been one component of novel approach. As is his wont Kavi arasu chooses to pep up a number with his inimitable style of word play.
While he has adapted question -response question or statement pattern, he has availed of every spot to stay almost steady on rhyme [edhugai -mOnai] even as he used expressions to suggest alacrity [ PS: padiththa pAdam enna after which she completes the statement 'un kaNgaL pArkkum pArvai enna' -a strategy to show that the girl is quite alert].

Another question using an unusual description 'pAlil ooriya jAdhippoo' vai suggesting total awareness of issues relevant to the occasion.

These are spots which suggest assessment of the opposite party by the dame.
That the two are in 'bondage' has been dealt by the final piece on pallavi rendered independently " Sandhiththa vELaiyil sindhikka vE illai thandhu vittEn ennai"- a polite indicator of the mood in the song.

[Literally MSV has successfully cajoled all the listeners to surrender saying "thandhu vittEn ennai" look at the poet-MD ensemble here]

The body of the song is rich in poetic value involving awe-inspired appreciation as a mutual bonanza.
Perhaps the best of summations vividly come through the terminal lines of the successive charaNams
PS: 'virundhu kEt ppadhenna adhaiyum viraindhu kEtppadhenna" while before winding up
TMS: 'vAzhai thOraNa mELaththOdu poojai seivadhenna"

These styles of framing inquisitive probes are not common in movie songs in the sense , ideas are brought out in elegant poetic form.

Both the members try to precisely suggest that -'YOU ARE A PARTY TO IT'
in the lines of the last charaNam 'Aasai kionjam nANam konjam to malarndha kAdhal enna with interjects from TMS of course, ENDING IN
'vAzhai thOraNa mELathhodu'.......

In all, it is a grand poetry that has sophistication as its inherent beauty. The sophistication does not stop with structuring and framing of observations ; it has other elements too.
Please wait for some more on the song.

Warm regards K.Raman Madurai.
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Prof. K. Raman
Mumbai
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